{"id":33771,"date":"2024-07-13T23:44:32","date_gmt":"2024-07-13T23:44:32","guid":{"rendered":"https:\/\/mulj.net\/?p=33771"},"modified":"2024-07-13T23:46:33","modified_gmt":"2024-07-13T23:46:33","slug":"they-shot-the-piano-player-ili-kako-je-biti-umjetnik-u-sistemu-koji-te-ne-zeli","status":"publish","type":"post","link":"https:\/\/mulj.net\/they-shot-the-piano-player-ili-kako-je-biti-umjetnik-u-sistemu-koji-te-ne-zeli\/","title":{"rendered":"They Shot the Piano Player ili kad diktatura proguta umjetnost"},"content":{"rendered":"\n<p>Osam vojnih diktatura: Brazil, Argentina, \u010cile, Urugvaj, Bolivija, Paragvaj, Peru i Ekvador podr\u017eanih od strane Velikog Sema bez ikakvih problema su planirale i izvodile prekograni\u010dne otmice, mu\u010denja, silovanja i ubistva hiljada politi\u010dkih protivnika. Kodno ime ove operacije, danas znamo, bilo je \u2013 <strong>Kondor<\/strong>. Ime joj je neki kreativni aparat\u010dik nadjenuo po uzoru na pticu impresivnog raspona krila koja lebdi iznad Anda. Iako lijepa, ta ptica je ipak le\u0161inar.<\/p>\n\n\n\n<p>Ova mre\u017ea pokrivala je \u010detiri petine kontinenta. Vlade su slale odrede smrti u pomo\u0107 jedna drugoj. Granice nijesu bile prepreka, a krv je ostajala na tu\u0111im rukama. I danas se smatra da je ovo bio jedan od najefikasnijih sistema za eliminaciju desetina hiljada ljudi \u0161irom Ju\u017ene Amerike.<\/p>\n\n\n\n<p>Brojke koje se naj\u010de\u0161\u0107e sre\u0107u na internetu su da je Kondor sa sobom odnio 60.000 \u017eivota, od \u010dega polovinu u Argentini.<\/p>\n\n\n\n<p>Kakve to veze ima sa muzikom? Osim toga \u0161to je me\u0111u desetinama hiljada stradalih bilo mnogo slobodnih umjetnika i muzi\u010dara, ima veze i sa glavnim junakom na\u0161e pri\u010de.<\/p>\n\n\n\n<p>Tokom 1970-ih u Ju\u017enoj Americi kombinacije bossa nove i jazza su i dalje bile aktuelne kao i u vrijeme njihove pojave dvije decenije ranije. Muzika pod uticajima velikana poput <strong>Antonio Carlos Jobima<\/strong> i <strong>Bill Evansa<\/strong> se stvarala i svirala u sjenci Kondor projekta. Izme\u0111u ostalih kompozitora i muzi\u010dara muziku je \u017eivio <strong>i Fransisco Tenorio Junior<\/strong> \u2013 danas potpuno anoniman muzi\u010dar iza koga je ostao jedan, ali fenomenalan album <strong>\u201eEmbalo\u201c.<\/strong> I zna\u010dajan broj gostovanja na materijalima autora kakvi su: <strong>Milton Nascimento, Lenny Andrade, Egberto Gismonti<\/strong>&#8230; O njemu je snimljen i dokumentarni film koji otkriva ne samo njegovu muziku ve\u0107 i stradanje.<\/p>\n\n\n\n<p>Nakon filma <strong>\u201eSearching for Sugarman\u201c<\/strong> redovno se uvu\u010de neka nevjerica u \u010dovjeka kada za ne\u010diju muzi\u010dku zaostav\u0161tinu sazna preko dokumentarca. No<strong>, \u201eThey Shoot the Piano Player\u201c<\/strong> je u svim aspektima druga\u010dija vrsta dokumentarca. Jedan od onih koji uspijevaju ne samo da ispri\u010daju, a ne oskrnave sve \u0161to je vrijedno u djelu umjetnika o kome pri\u010daju, ve\u0107 i da vam pru\u017ee uvid u duh jednog vremena \u2013 muzi\u010dkog, umjetni\u010dkog, kulturnog, dru\u0161tvenog, geo-politi\u010dkog&#8230; Jesmo li pomenuli da se radi o animiranom dokumentarcu?<\/p>\n\n\n\n<p>Ba\u0161 od te animacije je i krenulo na\u0161e upoznavanje sa filmom, likom i djelom Tenorio Juniora. Prije nekih desetak godina, <strong>Spielbergov Tin Tin<\/strong> se nije uspio uvu\u0107i u \u0161arenu oskarovsku konkurenciju za najbolji animirani film, u kojoj su uzgred budi re\u010deno, svoje mjesto na\u0161li <strong>Kung Fu Panda i Ma\u010dak u \u010dizmama<\/strong>. Jedan mali indie film je uspio u onome u \u010demu veliki Spielberg nije. Bila je to \u0161panska romanti\u010dna tragedija <strong>\u201eChico &amp; Rita\u201c<\/strong>. Njenu re\u017eiju zajedno su potpisali <strong>Francisco Trueba, Javier Mariscal i Tono Erando<\/strong>. Zanimljiva animacija i pri\u010da pro\u017eeta muzikom Kube i New Yorka koja je uklju\u010divala <strong>Dizzy Gilespia<\/strong> kao protagonistu i <strong>Beba Valdesa <\/strong>kao kompozitora bila je jedna od rijetkih stvari koje je ta dodjela Oskara preporu\u010dila za gledanje.<\/p>\n\n\n\n<p>Kada se dvojac Trueba i Mariscal opet udru\u017eio, film je jednostavno morao da bude na vrhu to do liste. Pro\u0161le godine oni su svijetu prikazali svoj drugi zajedni\u010dki animirani film. Ovaj put dokumentarac. \u201eThey Shoot The Piano Player\u201c je naziv ove gotovo dvo\u010dasovne eksplozije boja, muzike i emocija.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"THEY SHOT THE PIANO PLAYER | Official Trailer (2023)\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/jQwajCDIwcg?start=3&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>A sve je po\u010delo naravno u muzi\u010dkoj prodavnici!<\/p>\n\n\n\n<p>Trueba je tamo saznao za Tenoria Jr-a prije nekih dvadeset godina. Nakon odu\u0161evljenja muzikom, bio je zgro\u017een \u010dinjenicom da od 1976. njegov novi omiljeni pijanista nije uradio apsolutno ni\u0161ta. Kako ka\u017ee narator u filmu, izmi\u0161ljeni ameri\u010dki novinar i publicista \u2013 prva pomisao je bila brz \u017eivot, droge i sve \u0161to ide uz to. No, scenario za film je samo \u010dekao da ga neko otkrije.<\/p>\n\n\n\n<p>Te 1976. nadareni Tenorio je nestao tokom turneje u Buenos Airesu. Nakratko je iz hotelske sobe oti\u0161ao po sendvi\u010d ili lijek u zavisnosti od sje\u0107anja svjedoka i nije ga vi\u0161e bilo. Kondor je letio nad ulicama ovog argentinskog grada. Odredi smrti su harali Buenos Airesom, a kako \u0107e se ispostaviti Tenorio je bio me\u0111u prvima koji \u0107e stradati u &nbsp;te godine osnovanoj, kasnije veoma zloglasnoj kaznionici u Buenos Airesu.<\/p>\n\n\n\n<p>Pogre\u0161no vrijeme i pogre\u0161no mjesto reklo bi se. Svi akteri ovog animiranog dokumentarca su svjedoci njegove apoliti\u010dnosti i \u017eivota posve\u0107enog muzici. No, uvijek ostaje otvoreno pitanje po kakvim su ta\u010dno spiskovima radile ovakve i sli\u010dne crne horde. Ovakvu pri\u010du je, re\u017eiser je to dobro znao, bilo jako te\u0161ko zabilje\u017eiti.<\/p>\n\n\n\n<p>Trueba je u intervjuima pri\u010dao da se nije odmah odlu\u010dio za animaciju kao filmski format iako je gravitirao prema njoj nakon rada na &#8220;Chico i Rita&#8221;. Sa druge strane njegov dokumentaristi\u010dki opus, po mnogima krunisan odli\u010dnim muzi\u010dkim dokumentarnim filmom \u201e<strong>Calle 54\u201c<\/strong> o latino d\u017eezu mu je dao izuzetnu podlogu za jednu ovakvu pri\u010du. Naravno, ka animaciji ga je odvukla i \u010dinjenica da ne postoji puno fotografija ili video zapisa kojim bi se film mogao pro\u0161arati, a re\u0111anje sagovornika je i za amatera izuzetno dosadan i nekreativan posao. Rezultat je \u0161areni hibrid animacije, rokumentarca, politi\u010dke pri\u010de i biografije.<\/p>\n\n\n\n<p>Odlu\u010duju\u0107u stvar koja je Truebu odvukla animaciji otkriva sam re\u017eiser: \u201eKada gleda\u0161 biografski film, nije va\u017eno koliko je dobar. Uzmimo za primjer &#8216;Bird&#8217;, dramati\u010dni film o <strong>Charlieu Parkeru<\/strong>. Gleda\u0161 ga i misli\u0161 koliko je dobar glumac <strong>Forest Whitaker<\/strong> dok glumi Parkera. Ali ni na trenutak ne vjerujem da je on Charlie Parker. Sada, sa animacijom, \u010duje\u0161 kako Charlie Parker svira i lak\u0161e to prihvata\u0161. Kada sam to uradio sa Ten\u00f3riom, mogao sam ga vidjeti. Kao da je \u017eiv. Umjesto da ga prika\u017eem kroz dokumentarac u kom bi postao puka \u017ertva nasilja, sada je bio umjetnik. \u017div, i u punom sjaju\u201c.<\/p>\n\n\n\n<p>Za savremene djelove dokumentarca autori su usvojili realisti\u010dniji pristup. Za fle\u0161bekove i svaku ta\u010dku gledi\u0161ta, razvili su razli\u010dite palete boja i razli\u010dite linije animacije.<\/p>\n\n\n\n<p><strong>Jeff Goldblum<\/strong>, koji, osim \u0161to je glumac, i jazz pijanista, pozajmljuje glas, pomenutom izmi\u0161ljenom novinaru\/piscu iz Brooklyna po imenu Jeff Harris. Film otvara njegovo priznanje da je za Tenoria saznao dok je pisao knjigu o bossa nova svijetu te zavr\u0161io putuju\u0107i Latinskom Amerikom intervjui\u0161u\u0107i porodicu, prijatelje, kolege i muzi\u010dke stru\u010dnjake o \u017eivotu, radu i nestanku pijaniste. Naravno, Trueba je utkao svoj \u017eivot u lik imaginarnog novinara. Mogu\u0107e bi bilo zanimljivije da je re\u017eiser ispri\u010dao svoju pri\u010du onako kako se odigrala, no pretpostavljamo da je pri\u010di nedostajalo lice odgojeno na zapadnoj kulturi kao neka vrsta kontrate\u017ee ostatku likova.<\/p>\n\n\n\n<p>Trueba i Marsical ispunjavaju svaki kadar ogromnom koli\u010dinom informacija. U\u017eiva\u0107ete pu\u0161taju\u0107i svoje oko da luta pozadinama kadrova. Primje\u0107iva\u0107ete zanimljinve knjige, postere, fotografije, slike i zalutale komadi\u0107e akcije koji su morali biti nacrtani ba\u0161 kao i sve ostalo u filmu. Kroz tako naslo\u017eene detalje film vam dopu\u0161ta da saznate ko je osoba koja je trenutno pred vama i dopune njenu pri\u010du.<\/p>\n\n\n\n<p>Film je prije nego po\u010dne da pri\u010da pri\u010du o nestalom pijanisti i njegovom ogromnom talentu svjedo\u010danstvo jednog vremena i u njemu nevjerovatnog spleta kultura. U jednom trenutku, Trueba i Marsical \u010dak tvrde da je me\u0111unarodni uspon bossa nove bio odlu\u010duju\u0107i doga\u0111aj u umjetnosti 20. vijeka. U rangu sa filmskim pokretom francuskog <em>novog vala<\/em>. Ta tvrdnja se zapravo nikada ne istra\u017euje ili brani, ali ostaje u umu kao podsjetnik za istra\u017eivanje. Ljubitelji kinematografije bi\u0107e odu\u0161evljeni reinterpretacijom lijepih animiranih <em>behind the scene<\/em> sekvenci &nbsp;koje prikazuju snimanje poznatih scena iz filmova <strong>\u201cBreathless\u201d Jean-Luca Godarda i \u201c400 Blows\u201d Francoisa Truffauta<\/strong>. Stariji audiofili bi\u0107e zate\u010deni bosonogom <strong>Ellom Fitzgerald<\/strong> koja kao djevoj\u010durak uska\u010de u nastup omiljenog benda o\u010darana bossa novom, ili <strong>Franka Sinatre<\/strong> koji je do\u017eivio da njegovu karijeru obogate oni koji su odrastali uz njegovu muziku. Tu je naravno i Antonio Carlos Jobim, pa <strong>Gilberto Gil<\/strong>.<\/p>\n\n\n\n<p>They Shoot the Piano Player je rijetko iskren film. Na kraju krajeva sve je po\u010delo iskrenom ljubavlju prema muzici Tenorio Juniora, pa se nastavilo pasijom jednog re\u017eisera prema muzici koja je rezultirala intervjuima sa muzi\u010darima sa kojima je Tenorio sara\u0111ivao. Nakon toga tu je pri\u010da o porodici i sa porodicom, da bi se sve nekako steklo u umjetni\u010dko-socio-politi\u010dki traktat&#8230; U jednom intervjuu \u0107e Trueba pri\u010dati o padu u ovu ze\u010diju rupu. Proces mu je donosio nove i nove slojeve pri\u010de koje je morao integrisati da bi napravio kompletno djelo.<\/p>\n\n\n\n<p>Koliko je obiman bio posao pravljenja ovog filma govori sam re\u017eiser: \u201eIstra\u017eivanje sam uradio prije skoro 20 godina, a intervjue sam radio u periodu od tri godine, 2005., 2006. i 2007. godine. Uradio sam 150 intervjua i taj materijal je ostao arhiviran\u201d. Tako\u0111e dodaje: \u201cMislim da je va\u017eno spasiti ovog velikog umjetnika, koji je prekinut na sredini svog \u017eivota i karijere, ali tako\u0111e ispri\u010dati pri\u010du o sudaru ljepote i nasilja koje se jo\u0161 uvijek de\u0161ava svakodnevno\u201c.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"TENORIO JR. - EMBALO\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/IYYpbiqDwp4?list=PLbkLV7jiZi_MuznJWkRibYXqt8-BtF-il\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Na kraju ovog lijepog ostvarenja gledalac jednostavno biva natjeran da i sam istra\u017euje. Uz malo pretrage na\u0107i \u0107e se na internetu album koji nosi potpis Tenorio Juniora. A na njemu, izme\u0111u ostalih brojeva, divna minijatura od nepuna dva minuta pod nazivom <strong>Nebulosa<\/strong>. Fakti\u010dki kompozicija po\u010dinje nakon klavirskog uvoda od pola minuta, pa numera traje svega minut i trideset sekundi. Ali, u tih devedeset sekundi se desilo sve. Izuzetna klavirska pri\u010da koju gotovo neprimjetno prate bubanj i kontrabas. Takav je i ostatak albuma Embalo. Druga\u010dije nijanse, raspolo\u017eenja i pri\u010de, ali svaka pitka, vrijedna ponovnog slu\u0161anja i tuma\u010denja. Njihova minuta\u017ea je zanimljiva. Od jedanaest kompozicija samo jedna je du\u017ea od \u010detiri, a tri od tri minuta. Kada ih poslu\u0161ate bi\u0107e vam jasno da bi i sekund preko toga bio suvi\u0161an.<\/p>\n\n\n\n<p>Nakon odgledanog filma i odslu\u0161anog albuma, ve\u0107a je enigma za\u0161to muzi\u010dar i kompozitor koji je Embalo snimio sa 23 godine do svoje tragi\u010dne smrti u 35. godini nije snimio vi\u0161e nijedan album kao lider sastava. U filmu se pominje gomila komponovanog materijala. Jednu od tih numera odsvira\u0107e u filmu Bebo Valdes. Na\u017ealost, od ovog prelijepog minimalisti\u010dkog tridesetominutnog albuma iza Tenoria nije ostalo drugih usnimljenih radova.<\/p>\n\n\n\n<p>They Shot the Piano Player je film koji svako ko voli muziku mora pogledati.<\/p>\n\n\n\n<p>DL<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Osam vojnih diktatura: Brazil, Argentina, \u010cile, Urugvaj, Bolivija, Paragvaj, Peru i Ekvador podr\u017eanih od strane Velikog Sema bez ikakvih problema&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/mulj.net\/they-shot-the-piano-player-ili-kako-je-biti-umjetnik-u-sistemu-koji-te-ne-zeli\/\"><span class=\"more-text\">Continue reading<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":33772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[141,14203,147],"tags":[],"class_list":["post-33771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-izdvajamo","category-muljanje"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.8 - 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